SKU: 91416926157

DÜMLER & BREIDEN ‘JUWEL’ DÉCOR JUG VASE Nr. 53/15

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Description

DÜMLER & BREIDEN ‘JUWEL’ DÉCOR JUG VASE Nr. 53/15A lovely DMLER & BREIDEN Juwel dcor jug vase from the companys early relief series of the 1970s. DMLER & BREIDEN (aka D&B) was founded in 1883 by Peter Dmler (18601907) and his brother in law and childhood friend, Albert Breiden (18601926), in the town of Hhr Grenzhausen, about 20 km northeast of Koblenz in Rhineland Palatinate, Germany. Located in the Westerwald region, the town is set within the Kannenbckerlandthe potters land or, more literally,

A lovely DÜMLER & BREIDEN Juwel décor jug vase from the company’s early relief series of the 1970s.


DÜMLER & BREIDEN (aka D&B) was founded in 1883 by Peter Dümler (1860–1907) and his brother-in-law and childhood friend, Albert Breiden (1860–1926), in the town of Höhr-Grenzhausen, about 20 km northeast of Koblenz in Rhineland-Palatinate, Germany. Located in the Westerwald region, the town is set within the Kannenbäckerland—the “potters’ land” or, more literally, the “jug-bakers’ land”—a centuries-old home to ceramics manufacture in central Germany and the site of the largest clay deposit in Europe.) In the early 20th century, DÜMLER & BREIDEN was known mainly for producing beer steins and punch bowls in the typical blue-gray Westerwald style.

Following WWII, D&B gradually established itself as one of West Germany’s leading producers of art pottery. Unafraid to experiment, its potters crafted a vast and often whimsical universe of ceramics throughout the 1950s, ’60s, and ’70s. They transitioned effortlessly from traditional folk patterns to the vibrant, rule-breaking motifs of pop art. Many pieces showcased a dazzling, sometimes flamboyant, display of glazes, with vivid reds oozing into electric blues, on quirky forms that felt as much like rebellious sculptures as they did decorative objects. Items produced within the Domino, Polar, and Saturn design series are among the most sought-after by collectors. DÜMLER & BREIDEN closed in 1992.

Notes on identification: D&B most often used white to buff clay, although red clay is seen in the Terra series and in other “klinker”-style items. Marks are almost always impressed and are usually made using a distinctive, square-cut font. A crossed-swords D&B symbol (with the lowercase initials “D” and “B” as stylized hilts) is often present on the base along with the form and size numbers; where the symbol is absent, the form and size numbers are stacked. If an origin is indicated, it is always simply “Germany”—with no “West” designation. The full text “DÜMLER & BREIDEN” replaces the D&B symbol from 1980 onwards. Relief and Studio pieces were marked on the base with the names of those series. Very few items have unmarked bases, and markings are only very rarely obscured by glaze. Factory stickers are most commonly found only on very early items and typically feature the crossed-swords symbol and the factory location, “Hohr.”


KEY DESIGNERS:

  • Ernst Dümler, a cousin. (Joined after Peter’s son, Paul, was killed in WWI.)
  • Paul Zimmerling (1927–2006)
  • Rudolf Christmann (1928–1992)

DETAILS

Maker – DÜMLER & BREIDEN

Production Period/Year – 1970s

Designer – UNKNOWN

Design Period/Year – 1970s

Origin – WEST GERMANY

Styles/Movements – ABSTRACT; MID-CENTURY MODERN

Materials – CERAMIC

Colors – ORANGE, BLACK, GREEN, INK BLUE

Condition – Excellent vintage condition. Never used. Perfect condition. May show slight traces of age.

Dimensions – 6" W × 5" D × 6 ½" H

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SKU: 91416926157

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Alexandria, US
★★★★★ 4
Almost Perfect But With Workaround it Rocks
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This works almost perfectly in my Tesla, with one small tweak for hot summer conditions. It holds my phone very well overall—I position it slightly off-center at about the 10 o’clock position. However, with a larger phone like the Galaxy S25 Ultra, the combination of weight and summer heat can cause the mount to slowly rotate as the suction cup loses some grip. I found a simple fix that works extremely well: applying a small amount of rosin (the same kind used for violin bows) to the friction point where the rotating arm meets the suction base. That added grip completely solved the issue. Now the mount stays exactly where I position it, even in the heat. Solid product, and with that minor adjustment, it performs exactly how I need it to.
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Reviewed in the United States on May 3, 2026
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Kady
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★★★★★ 5
Great product.
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This worked perfectly in my vehicle making hands free driving easy. Installation was very simple, easy to charge my phone in this mount. Very stable, my phone never fell out or off.
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Reviewed in the United States on April 25, 2026
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Leah
Port Orchard, US
★★★★★ 5
Almost perfect
Style: Screen+Charger
Solid mount. I’ve tried other ones but they don’t sit as nicely as this one. It also has a lot of adjustments to allow for using it any way you need it to so it is very versatile. The magnet strength is really good and holds my phone really well. Sometimes it feels too strong which I guess is a good thing. The charging works well but I wish the cable was a little longer
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Reviewed in the United States on April 9, 2026
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DJ
Lake Worth, US
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I couldn’t be happier with this car phone mount—it’s easily one of the best accessories I’ve added to my vehicle. The build quality feels solid and durable, with a strong grip that keeps my phone securely in place even on bumpy roads. Installation was quick and hassle-free, and it holds firmly without slipping or needing constant readjustment. What really stands out is how easy it is to use one-handed. I can mount or remove my phone in seconds, which makes a big difference while driving. The adjustable viewing angles are perfect for navigation, and it doesn’t block my view of the road at all.
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Andrew
Charlottesville, US
★★★★★ 3
Poor socket design.
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